Godot is a Woman: 'Side splittingly funny, eye-openingly funny, rawly emotional'
It is 1953 and Jean Anouilh’s review of Waiting for Godot read ‘Nothing happens, nobody comes, nobody goes, it is terrible’ It is 2023...
Message In A Bottle: 'Brilliant dancing, exemplary imagery... just a shame about the lack of depth.'
Brilliant dancing, exemplary imagery… just a shame about the lack of depth. Message in a Bottle is a new dance show by Sadler’s Wells and...
Stop Trying to be Fantastic: 'It will certainly make you laugh, while making you think'
Do you have a nagging voice inside your head? How do you deal with it? Stop Trying to be Fantastic by Molly Naylor explores the...
WALDO'S CIRCUS OF MAGIC & TERROR: 'This is not a Review'
This is not a review; I’d like to make that clear before I start. I don’t think it would be fair for me to review this show. I see this...
'Cake' Review: Watch this Space
The buzz around this new ‘musical, come gig, come ballet’ Cake: The Marine Antoinette playlist is understandable. It feels as through the...
'The Mousetrap' Review: A show worthy of its 70 year run.
It is understandable why ‘The Mousetrap’ has been running for 70 years. A solid well-developed production that has be a stable in the...
'On Track' Review: An enjoyable watch that allows you to just enjoy being in the theatre
Is it too early for productions about covid? Not with ‘On Track’ a poignant and relatable production by RedCape Theatre and South Street...
'FanBoy' Review: The Force is mediocre with this one
‘The Force is mediocre with this one’, Fanboy misses the chance to create a truly nostalgic experience for all its audience, instead it...










